Graphic artist Fernando Reza presents a series of posters envisioning films that iconic directors like Hitchcock, Lynch, and Kubrick never brought to fruition. These imaginative artworks provide a glimpse into the creative minds of these legendary filmmakers, offering tantalizing glimpses of what could have been.
Kaleidoscope: Hitchcock’s Lost Prequel
Among Reza’s creations is a poster for “Kaleidoscope,” which would have been Alfred Hitchcock’s prequel to “Shadow of a Doubt.” Hitchcock had filmed silent test footage for the film, intending to tell the story from the murderer’s perspective. However, due to concerns about the explicit content, the studio persuaded him not to proceed with the project.
At The Mountains of Madness: Del Toro’s Lovecraftian Vision
Another poster depicts Guillermo Del Toro’s unrealized project, “At The Mountains of Madness,” based on H.P. Lovecraft’s iconic novella. Del Toro’s passion for Lovecraft’s cosmic horror themes and his proven creativity in films like “Pan’s Labyrinth” positioned him as the perfect candidate to bring this chilling tale to life. However, budget concerns and similarities to Ridley Scott’s “Prometheus” ultimately derailed the project.
Ronnie Rocket: Lynch’s Dystopian Dream
Reza’s posters also pay homage to David Lynch’s “Ronnie Rocket,” a film intended to expand on the themes of his debut, “Eraserhead.” This dystopian tale would have explored identity, dream logic, and industrial decay, but production challenges and financial setbacks prevented Lynch from realizing his vision.
Giraffes on Horseback Salad: Dali’s Surrealist Collaboration
Salvador Dali’s unrealized film “Giraffes on Horseback Salad” is brought to life in Reza’s posters, showcasing the surreal imagery and anarchic humor that defined Dali’s work. Conceived as a collaboration with the Marx Brothers, the project never materialized due to creative differences and lack of enthusiasm from key stakeholders.
The Aryan Papers: Kubrick’s Personal Project
Lastly, Reza’s posters include Stanley Kubrick’s “The Aryan Papers,” a deeply personal project that Kubrick envisioned for nearly two decades. Based on Louis Begley’s book “Wartime Lies,” the film would have explored the horrors of the Holocaust from an individual perspective. Despite meticulous planning and casting efforts, Kubrick ultimately abandoned the project due to its emotional toll and the emergence of other Holocaust-themed films.
In conclusion, Fernando Reza’s posters offer a fascinating glimpse into the world of cinema’s unrealized projects, sparking intrigue and speculation about what could have been. These artworks serve as a tribute to the creative visionaries behind these lost films, reminding us of the boundless imagination and untapped potential of the cinematic medium.
